While Sarah's magic is working like a charm, a frustrated Nancy thinks her spells aren't working, until a violent encounter between her mom and stepfather ends in Ray dying from a heart attack, leaving them a life insurance policy worth $175,000 and letting Nancy move into fancier digs.

Sitting alone at lunch, Sarah is joined by popular jock Chris Hooker (Skeet Ulrich) who welcomes her to the school. Sarah finishes invoking the spirit and uses the opportunity to torment Nancy the same way Nancy tormented her, using glamours and tricky spells like emerging from a mirror. He's killed instantly. Rochelle wants strength to deal with racism. Later, Bonnie and Rochelle visit Sarah to apologize for attempted murder and the wicked glamour of her parent's death. Then, at her next doctor's appointment, Bonnie's scars melt off her body. She also learns some basic tenets of magic, like what you send out, you receive back times three. Desperate to fight back, Sarah is forced to invoke the spirit of Manon, and in the process, she gives Bonnie and Rochelle a taste of their own medicine, showing Bonnie with all her scars again and Rochelle with her hair falling out. Nancy lives in a trailer park where her stepdad regularly abuses her alcoholic mother, and their electricity is often out for lack of paying bills. As the divide between Nancy and Sarah grows, Bonnie and Rochelle choose the side of most power and stick with Nancy, even as she becomes increasingly erratic and violent. In the wake of Chris' death, which everyone thinks was an accident, Sarah breaks with the coven entirely. After confronting Chris and being humiliated again, Sarah is noticeably upset and later has vivid flashbacks to her suicide attempt. In the film The Craft, Manon is the all-knowing and all-powerful creator of the Universe as well as a divine patron of Witchcraft. "I'm flying," Nancy says in a deranged voice over and over to close the movie. For one, she abandons her sisters on several occasions to run back to Chris Hooker, the guy who spread a nasty rumor about her right at the start. Sarah has taken her powers to as dark a place as Nancy's, but for some reason, she gets away with it, complicating her position as the "good" witch.
But all is not well in the witches' world. "Be careful," Sarah warns. At the end of the movie, Sarah threatens Rochelle and Bonnie, effectively ending their friendship. Sarah confesses that's why they moved, because she tried to kill herself. The response? Things get even worse when the house starts filling with snakes, lizards, and insects. If Sarah is the actual villain of The Craft, then we need to reassess her foil, Nancy Downs. In the meantime, we finally learn more about the three other witches. During a sleepover at Bonnie's, while playing the game "light as a feather, stiff as a board," they lift Rochelle into the air with only magic. A quietly menacing Nancy tells Sarah stop trying to enchant her and warns, "In the old days, if a witch betrayed her coven, they would kill her.". After Chris tries to sexually assault Sarah and Nancy kills him in retaliation, Sarah even goes so far as to defend her would-be rapist, saying, "I think he was a good guy underneath it all." Sarah realizes the three are seriously into witchcraft after Nancy explains their deity, Manon, saying, "If God and the devil were playing football ... Manon would be the stadium that they played on." In the movie 'The Craft' the invoke a spirit called Mano. "These are my gifts!" The link between poverty, a lack of healthcare, and possibly underlying mental illness, coupled with dabbling in the occult, was a devastating cocktail for Nancy. Cookies help us deliver our Services. Nancy lives in a trailer park and has a horrible home life with an alcoholic mother, Grace (Helen Shaver), and sexually inappropriate stepfather, Ray (John Kapelos). Desperate, Sarah goes to Lirio at the occult shop for help, explaining that Nancy had invoked the spirit of Manon, and now, they're trying to destroy her. While many folks may be all too familiar with The Craft, there are still some aspects of the story that get little attention since we're all so busy delighting in the dark adventures of four beautiful witches. A furious Nancy glamours herself into Sarah until the real Sarah shows up and reveals the spell. Invocation is the act of conjuring a spirit or God and having them brought about into yourself. Joining Sarah on her journey are three other outcast witches — Nancy (Fairuza Balk), Rochelle (Rachel True), and Bonnie (Neve Campbell) — who've been looking for a fourth member to complete their coven. Lirio lights all candles with one match, telling Sarah she's from a long line of witches and needs to invoke Manon herself.

While The Craft is framed as a movie about four young witches with new girl Sarah Bailey at the center, over the years, the film's discourse has deepened considerably to propose the notion that Sarah might in fact be the bad guy here. Undeterred, Nancy leads the incredibly intense ceremony that provokes lightning and wind as the women chant. Even after Sarah helps wake up Bonnie and Rochelle to their bad behavior, they still only apologize because they've lost their powers and want them back. At Nancy's new downtown apartment, the witches practice "glamouring," a spell that can change outward appearances with just a bit of concentration. Um, she thinks what now? The next day, Laura bullies Rochelle, and Laura's signature blonde coif immediately starts falling out. When Bonnie is in the same French class as Sarah and sees her performing telekinesis with a pencil, Bonnie knows she's right. Another night, Sarah casts a spell on racist Laura Lizzie, and a sorrowful Bonnie pleads, "Manon take my scars," as we see the extent of damage over her body.

Nancy uses vulnerable information about Sarah's suicide attempt to create a horrific glamour to further torture her.

This spell allows the casters to invoke any spirit of their choosing. Andrew Fleming's film follows Sarah Bailey (Robin Tunney), a San Francisco transplant in Los Angeles who's struggling to deal with her traumatic past, as well as her ever-growing magical powers. If she could chill for a second and regroup internally, she should still have access to Manon's power and that would help her once again change her situation. While still claiming the deaths were accidents, Nancy argues that Ray and Chris deserved to die because she said so. Even when she and her mom come into money, Nancy doesn't address her root traumas. They also ask why she wants to leave the circle. One by one, the women at knifepoint ask, "It is better that you should rush upon this blade than enter this circle with fear in your heart.

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