They were away for 18 months. Read about our approach to external linking. Though titled The Dance, there is much more going on in this picture than a simple celebratory act.

Paula Rego was born in 1934 to a comfortable middle-class family. From ARoS Aarhus Art Museum, Paula Rego, The Dance (1988), Acrylic paint on paper on canvas, 212.6 × 274 cm In Paula Rego's impressive oeuvre the contradictions of humanity are fully exposed; fantasy and reality, strength and suppression, and the personal and the political all writhe together in circling dialogue. Pen and ink drawing on machine-made white cartridge paper.

[…] I mean some other kind of divine, which connects very strongly to Portuguese folk tales and stories—the strength of them and, very often, the enormous cruelty involved. The perforated left side edge of eight of the drawings (T05538-T05543, T05546, T05548) indicates that the sheets were torn out of a spiral bound sketch book, the other three sheets (T05544, T05545, T05547) have been trimmed. CONTENT Composition, subject matter, colour, symbolism, meaning, feel, etc. Rego is fascinated by what she calls “the beautiful grotesque” in life and in art. A unique insight into the life and work of celebrated painter Paula Rego directed by her son, film-maker Nick Willing. The Dance has a rough-and-ready, provincial eroticism. When she was two years old, her parents went away to work in the UK, leaving Rego in Lisbon with her grandmother. We use cookies to enhance your experience on our website. This programme is not currently available on BBC iPlayer.

Stock photo and image search 1945 by Tate Images Stock photo and image search 20th by Tate Images

Timings (where shown) are from the start of the programme in hours and minutes. Tate Images is open and working remotely so please don’t hesitate to contact us by e-mail. Her forceful compositions are imbued with cruelty—both subtle and overt—and permeated with a sense of unease and ambiguity. Find more prominent pieces of genre painting at Wikiart.org – best visual art database. She had her first exhibition at the Sociedade Nacional de Belas-Artes in Lisbon. Nick Willing combines a huge archive of home movies and family photographs with interviews spanning 60 years and in-depth studies of Rego at work in her studio. Notoriously private and guarded, Rego opens up for the first time, surprising her son with secrets and stories of her unique life, battling fascism, a misogynistic art world and manic depression. […] I mean some other kind of divine, which connects very strongly to Portuguese folk tales and stories—the strength of them and, very often, the enormous cruelty involved. Born in Lisbon, Portugal, Dame Paula Rego (b. Dame Maria Paula Figueiroa Rego (born 26 January 1935) is a Portuguese-born visual artist who is particularly known for her paintings and prints based on storybooks.

Born in Portugal, a country which her father told her was no good for women, Rego nevertheless used her powerful pictures as a weapon against the dictatorship before settling in London, where she continued to target women's issues such as abortion rights. The Pillowman, 2004, by Paula Rego. Licensing images supports Tate. At the artist's request, the mounts were made to overlap slightly the edges of the drawings to hide the perforated left edge.

Rego… As she describes: “It’s the divine, perhaps. The overall effect of Rego’s peice is one of unease, as even the most obvious content poses many questions. A “painter of stories” celebrated for her dark, complex paintings, prints, drawings, and collages, Paula Rego draws upon folk- and fairytales, literature, and her own biography to create politically charged, deeply unsettling tableaux. | Tate Images. Rego’s style has evolved from abstract towards representational, and she has favoured pastels over oils for much of her career. On acquisition the drawings were mounted onto white conservation board attached by Japanese paper hinges. Rego's painting has an eerie, dream-like quality typical of her work, which often refers to childhood fears and fantasy. A “painter of stories” celebrated for her dark, complex paintings, prints, drawings, and collages, Paula Rego draws upon folk- and fairytales, literature, and her own biography to create politically charged, deeply unsettling tableaux. Read our. The perforated left side edge of eight of the drawings ( T05538 - T05543 , T05546 , T05548 ) indicates that the sheets were torn out of a spiral bound sketch book, the other three sheets ( T05544 , T05545 , T05547 ) have been trimmed. Pen and ink drawing on machine-made white cartridge paper. The images have been drawn in pen and brush, with ink washes of mainly one or two shades of brown and a few splashes of diluted black in the sky and shadows. 1935) is one of Europe’s most influential contemporary figurative artists. The Dance. Drawing on sources as varied as Little Red Riding Hood and Franz Kafka’s The Metamorphosis, Portuguese artist Paula Rego is highly regarded as one of the finest storytellers in the realm of visual arts.Her prolific output includes drawings, paintings, and prints. High resolution image available off-line. When she was two years old, her parents went away to work in the UK, leaving Rego in Lisbon with her grandmother. The rhythmic movement of the figures contrasts with the stillness of the setting, suggesting the balance between perpetual change and the essential continuity of existence.

‘The Dance’ was created in 1988 by Paula Rego in Expressionism style. While the scene here could represent a memory of folk festivals or 'festas', it also has a more profound symbolic meaning. Each drawing has been individually numbered in pencil on the verso in the top left corner. Paula Rego was born in 1934 to a comfortable middle-class family.

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